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Gov’t Mule [06-26-1998] Tussey Mountain Amphitheater, Boalsburg, PA

 1998, Mule Stream  No Responses »
May 062012
 

Gov’t Mule
June 26, 1998
Tussey Mountain Amphitheater
Boalsburg, PA

01. Grinnin’ In Your Face
02. Thorazine Shuffle
03. Rocking Horse
04. Birth Of The Mule*
05. Painted Silver Light#
06. No Need To Suffer
07. Cortez The Killer
08. Trane >
09. Truckin’ Jam > Trane
10. Pass The Peas
11. She Said She Said > Tomorrow Never Knows Jam
12. Mule > I’ve Been Working > Mule
13. Crowd (encore break)
14. Young Man Blues > Good Morning Little Schoolgirl > Young Man Blues

*Problems with Warren’s guitar amp
#Problems with Woody’s bass amp
FOB > Neumann KM184 > Beyer MV-100 > Sony SBM-1 > s/pdif > Tascam DA-P1 (16 bit/44.1 kHz)
DAT (c1) > Fostex D-5 > (custom AES -> s/pdif digital cable) > Roland R-44 > WAV > Sound Forge Pro 10.0 (fades, normalize) > CD Wave Editor > Trader’s Little Helper > FLAC

Notes:
The DAT used in the DAT > WAV > FLAC transfer was a 1st generation digital clone of the Master DAT
Thanks to John Curatolo for providing the DAT used in the transfer
Live recording by Paul deLima
Edited, transfered and uploaded by Paul deLima (May 5, 2012)

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Gov’t Mule [10-02-1999] Higher Ground, Winooski, VT

 1999, Mule Stream  No Responses »
May 012012
 

Gov’t Mule
October 2, 1999
Higher Ground
Winooski, VT

d1.t01 Bad Little Doggie*
d1.t02 Lay Your Burden Down
d1.t03 Left Coast Groovies
d1.t04 I Can’t Quit You Baby
d1.t05 Third Stone From The Sun
d1.t06 Rocking Horse
d1.t07 She Said, She Said > Tomorrow Never Knows Jam
d1.t08 Don’t Step On The Grass Sam
d1.t09 Happy Birthday Woody
d2.t01 I Shall Return
d2.t02 Pass The Peas > Drum Solo >
d2.t03 Jam
d2.t04 Monkey Hill > She’s So Heavy Jam
d2.t05 Mule > I’ve Been Working > Mule
d2.t06 Almost Cut My Hair
d2.t07 I Can’t Hold Out

*Volume adjustments during the 1st couple minutes

Neumann KM184 > Oade M148 > Sony TCD D-8 (16 bit/48.0 kHz)
DAT (c) > Fostex D-5 > (custom AES -> s/pdif digital cable) > Roland R-44 > WAV > Cool Edit Pro 1.2a (fades, resampled to 44.1 kHz, amplified left channel -1.25 dB) > CD Wave Editor > Trader’s Little Helper > FLAC
Thanks to John Curatolo for providing the DAT (c) used in the transfer
Edited, transfered and uploaded by Paul deLima (April 29, 2012)

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Gov’t Mule [09-22-1998] New Cheers Pub, Binghamton, NY

 1998, Mule Stream  No Responses »
Apr 292012
 

Gov’t Mule
September 22, 1998
New Cheers Pub
Binghamton, NY

d1.t01 Introduction > Rocking Horse*
d1.t02 Thorazine Shuffle*
d1.t03 Technical Difficulties
d1.t04 Dolphineus > Painted Silver Light*
d1.t05 Birth Of The Mule
d1.t06 Mr. Big*
d1.t07 She Said, She Said > Tomorrow Never Knows Jam
d1.t08 The Same Thing
d1.t09 Trane >
d1.t10 Truckin’ Jam
d1.t11 Nasty Dogs And Funky Kings
d2.t01 Blind Man In The Dark >
d2.t02 Drum Solo > Blind Man In The Dark
d2.t03 Mule > Who Do You Love? > Mule
d2.t04 It Hurts Me Too
d2.t05 Wandering Child

*PA problems
Neumann KM184 (ORTF) > Beyer MV-100 > Sony SBM-1 > s/pdif > Tascam DA-P1 (16 bit/44.1 kHz)
DAT (c1) > Fostex D-5 > (custom AES -> s/pdif digital cable) > Roland R-44 > WAV > Cool Edit Pro 1.2a (clip restoration, fades) > CD Wave Editor > Trader’s Little Helper > FLAC

Notes:
The DAT used in the DAT > WAV > FLAC transfer was a 1st generation digital clone of the Master DAT
DAT (c1) provided by John Curatolo
Live recording by Paul deLima
Edited, transfered & uploaded by Paul deLima (April 18, 2012}

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Gov’t Mule [07-21-1995] Buddy Guy’s Legends, Chicago, IL

 1995, Mule Stream  No Responses »
Apr 092012
 

Gov’t Mule
Buddy Guy’s Legends
Chicago, IL
July 21, 1995

1. Intro
2. Mule
3. Rocking Horse
4. Mr. Big
5. Temporary Saint
6. The Same Thing
7. Trane >
8. Eternity’s Breath jam
9. Monkey Hill (w/ She’s So Heavy ending)
10. Gambler’s Roll
11. Don’t Step On The Grass, Sam
12. Painted Silver Light
13. Born Under A Bad Sign
14. Blind Man In The Dark
15. Grinnin’ In Your Face
16. Mother Earth
17. Left Coast Groovies >
18. World Of Difference
19. Just Got Paid (incl. Who Do You Love? verse)
20. crowd & comments
Encore:
21. End Of The Line
22. Look On Yonder Wall

The eq was used liberally with this tape, seems like the mics may have had the HPF engaged as there was little bass.  The midrange around 250-500 Hz was also a bit rude, but now it sounds much better.  Level adjustment was +2 dB after track 1.  The raw 48k original has been archived.
BIG thanks to John Fitz for recording & sending the DAT to Mark to send to me!
Source: Audio Technica 815a’s > Sony TCD-D7 (48k)
Transfer: DAT/m in Tascam DA-30 MKII > Sound Devices 722 (AES/EBU) > Logic Pro (eq, level adjustment) > xACT (fades, re-sample to 44.1, tracking) > xACT (flac 8 w/ SBA tags)

Recorded by John Fitz, transferred & eq’d by taperjoe via Mark Bernhardt.

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Gov’t Mule [07-22-1999] Manhattan Square Park, Rochester, NY

 1999, Mule Stream  1 Response »
Apr 022012
 

Gov’t Mule
July 22, 1999
Manhattan Square Park
Rochester, NY
 
 
Setlist:
d1.t01 John The Revelator
d1.t02 Thorazine Shuffle
d1.t03 Life Before Insanity
d1.t04 It Hurts Me Too
d1.t05 Sad And Deep
d1.t06 She Said, She Said > Tomorrow Never Knows Jam
d1.t07 Lay Your Burden Down
d1.t08 Bad Little Doggie
d1.t09 Left Coast Groovies >
d1.t10 Drum Solo >
d1.t11 Blind Man In The Dark
d2.t01 Mule > I’ve Been Workig > Who Do You Love? > Mule
d2.t02 Guitar Solo > Look On Yonder Wall
d2.t03 End Of The Line
d2.t04 Young Man Blues
FOB > Schoeps CCM4 (ORTF) > Grace Design Lunatec V2 > Tascam DA-P1 (16/44.1)
DAT (c1) > Fostex D-5 > custom AES -> s/pdif digital cable > Roland R-44 > WAV > Sound Forge Pro 10.0 (fades) > CD Wave Editor > Trader’s Little Helper > FLAC
 
Notes:
Microphones were mounted on 9′ stand, 35′ from the stage, DFC
The DAT used in the DAT > WAV > FLAC transfer was a 1st generation digital clone of the Master DAT
Thanks to John Curatolo for providing the DAT used in the transfer
Recorded, edited, transfered & uploaded by Paul deLima (March 30, 2012)
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Gov’t Mule [06-12-1996] VZD’s Restaurant and Bar Oklahoma City, OK [VIDEO]

 1996, Mule Stream, Videos  No Responses »
Mar 172012
 

Gov’t Mule
6/12/96
VZD’s Restaurant and Bar
Oklahoma City, OK

Mule >*
Rocking Horse >
Temporary Saint,
Kind Of Bird,
Gambler’s Roll,
No Need To Suffer,
Birth Of The Mule,
Game Face >
Trane >
Eternity’s Breath jam >
Thelonius Beck >
St. Stephen jam >
I Shall Be Released,
John The Revelator >
Pygmy Twylyte >
Blind Man In The Dark >
Drums >
Blind Man In The Dark >
Just Got Paid >
Who Do You Love? >
Just Got Paid

Encore:
The Same Thing > Look On Yonder Wall

Setlist Notes:
* Circuits for PA and stage in general goes out 3 mins. into song.
Takes an hour to resume concert. When Mule comes back out, they
take up where they left off and resume the song where they stopped.

Source:
Audio-
John Adicks – Schoeps Mics> Sony D7 DAT
Brodie Hutcheson – Live Mix
Bob Watkins & Brodie Hutchenson Audio Mastering at Thundershack Studio Nashville, TN

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Gov’t Mule [10-16-2003] Landmark Theater, Syracuse, NY

 2003, Mule Stream  No Responses »
Feb 232012
 

Gov’t Mule
October 16, 2003
Landmark Theater
Syracuse, NY

Setlist:
01. Thelonius Beck
02. Wandering Spirit
03. I Ain’t Superstitious
04. World Gone Wild
05. Slow Happy Boys
06. Effigy >
07. Folsom Prison Blues (Instrumental/Jam) >
08. Effigy
09. Painted Silver Light
10. Lay Your Burden Down
11. Key To The Highway*
12. I Know Your Rider**
13. When Doves Cry > Beautifully Broken > When Doves Cry > Beautifully Broken
14. What Is Hip? >
15. Drum Solo
16. World Of Confusion
17. She’s Nineteen Years Old
18. Blind Man In The Dark
19. Masters Of War >
20. Soulshine

*With Chris Robison (vocals & harmonica) and Paul Stacey (electric guitar)
**With Chris Robison (vocals & acoustic guitar) and Paul Stacey (electric guitar)

DPA 4022 > Grade Design Lunatec V3 > s/pdif > Tascam DA-P1
Sony PCM-R500 > s/pdif (coax) > HHB CDR-850 > CD-R > EAC (secure) > Trader’s Little Helper > FLAC

Recording notes:
Recorded from the 10th row, slightly left of center. Microphones mounted on 7′ stand.
DAT swap between World Of Confusion and She’s Ninteen Years Old. (No music lost.)

Transfer and mastering notes:
The master DATs were used for the DAT > CD-R transfer.
The pair of CD-R’s used for the CD-R > FLAC transfer were burned directly from the master DATs.
Post-DAE, Cool Edit Pro was used to perform clip restoration on track 1 and track 8. (See EAC log, Part 1.)

Recorded, mastered & transfered by Paul deLima.

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Gov’t Mule [11-06-1996] A.J. Pulumbo Center, Pittsburgh, PA

 1996, Mule Stream  No Responses »
Feb 182012
 

Gov’t Mule
November 6, 1996
The A.J. Pulumbo Center
Pittsburgh, PA

1. Blind Man In The Dark
2. Mother Earth
3. Game Face
4. Temporary Saint
5. John The Revelator
6. Mule

(Gov’t Mule opened for The Black Crowes.)

SDB + Microphones* > DAT
Panasonic SV-3800 > s/pdif (coax) > HHb CDR-850 > CD-R > EAC (secure) > Trader’s Little Helper > FLAC

Notes Part 1:
*The DAT clone I received shortly after this show was marked SBD > DAT. However, as the recording sounds like a matrix (SBD plus mics) I have labeled it as such. I do not know the type of microphones used in the recording, or their location in the venue. I imagine the mics were set up at the SBD and blended “on the fly” with the SBD feed before being fed into a DAT deck.

Notes Part 2:
I was unable to get a clean rip of Track 1 with EAC in Secure mode. The DAE for Track 1 was performed with EAC in Paranoid mode. (See EAC log for details.)
A second generation DAT clone was used in the DAT > CD-R transfer.
The CD-R used in the FLAC transfer was burned directly from the second generation DAT.
Recorded by Brodie.
DAT > CD-R and CD-R > FLAC transfers by Paul deLima.

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Gov’t Mule [11-04-1996] The Strand Theater, Providence, RI

 1996, Mule Stream  No Responses »
Feb 172012
 

Gov’t Mule
November 4, 1996
The Strand Theater
Providence, RI

1. Intro > Mule
2. Game Face
3. Birth Of The Mule
4. Born Under A Bad Sign**
5. Young Man Blues

**With Marc Ford (guitar) & Eddie Harsch (keyboards)

(Gov’t Mule opened for The Black Crowes.)

SDB + Microphones* > DAT
Panasonic SV-38000 > s/pdif (coax) > HHb CDR-850 > CD-R > EAC (secure) > Cool Edit Pro (clipping restoration on track 4) > Trader’s Little Helper > FLAC

Notes Part 1:
*The DAT clone I received shortly after this show was marked SBD > DAT. However, as the recording sounds like a matrix (SBD plus mics) I have labeled it as such. I do not know the type of microphones used in the recording, or their location in the venue. I imagine the mics were set up at the SBD and blended “on the fly” with the SBD feed before being fed into a DAT deck.

Notes Part 2:
A second generation DAT clone was used in the DAT > CD-R transfer.
The CD-R used in the FLAC transfer was burned directly from the second generation DAT.
Recorded by Brodie.
DAT > CD-R and CD-R > FLAC transfers by Paul deLima.

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