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Gov’t Mule [10-16-2003] Landmark Theater, Syracuse, NY

 2003, Mule Stream  No Responses »
Feb 232012
 

Gov’t Mule
October 16, 2003
Landmark Theater
Syracuse, NY

Setlist:
01. Thelonius Beck
02. Wandering Spirit
03. I Ain’t Superstitious
04. World Gone Wild
05. Slow Happy Boys
06. Effigy >
07. Folsom Prison Blues (Instrumental/Jam) >
08. Effigy
09. Painted Silver Light
10. Lay Your Burden Down
11. Key To The Highway*
12. I Know Your Rider**
13. When Doves Cry > Beautifully Broken > When Doves Cry > Beautifully Broken
14. What Is Hip? >
15. Drum Solo
16. World Of Confusion
17. She’s Nineteen Years Old
18. Blind Man In The Dark
19. Masters Of War >
20. Soulshine

*With Chris Robison (vocals & harmonica) and Paul Stacey (electric guitar)
**With Chris Robison (vocals & acoustic guitar) and Paul Stacey (electric guitar)

DPA 4022 > Grade Design Lunatec V3 > s/pdif > Tascam DA-P1
Sony PCM-R500 > s/pdif (coax) > HHB CDR-850 > CD-R > EAC (secure) > Trader’s Little Helper > FLAC

Recording notes:
Recorded from the 10th row, slightly left of center. Microphones mounted on 7′ stand.
DAT swap between World Of Confusion and She’s Ninteen Years Old. (No music lost.)

Transfer and mastering notes:
The master DATs were used for the DAT > CD-R transfer.
The pair of CD-R’s used for the CD-R > FLAC transfer were burned directly from the master DATs.
Post-DAE, Cool Edit Pro was used to perform clip restoration on track 1 and track 8. (See EAC log, Part 1.)

Recorded, mastered & transfered by Paul deLima.

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Gov’t Mule [11-06-1996] A.J. Pulumbo Center, Pittsburgh, PA

 1996, Mule Stream  No Responses »
Feb 182012
 

Gov’t Mule
November 6, 1996
The A.J. Pulumbo Center
Pittsburgh, PA

1. Blind Man In The Dark
2. Mother Earth
3. Game Face
4. Temporary Saint
5. John The Revelator
6. Mule

(Gov’t Mule opened for The Black Crowes.)

SDB + Microphones* > DAT
Panasonic SV-3800 > s/pdif (coax) > HHb CDR-850 > CD-R > EAC (secure) > Trader’s Little Helper > FLAC

Notes Part 1:
*The DAT clone I received shortly after this show was marked SBD > DAT. However, as the recording sounds like a matrix (SBD plus mics) I have labeled it as such. I do not know the type of microphones used in the recording, or their location in the venue. I imagine the mics were set up at the SBD and blended “on the fly” with the SBD feed before being fed into a DAT deck.

Notes Part 2:
I was unable to get a clean rip of Track 1 with EAC in Secure mode. The DAE for Track 1 was performed with EAC in Paranoid mode. (See EAC log for details.)
A second generation DAT clone was used in the DAT > CD-R transfer.
The CD-R used in the FLAC transfer was burned directly from the second generation DAT.
Recorded by Brodie.
DAT > CD-R and CD-R > FLAC transfers by Paul deLima.

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