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Feb 232012
 

Gov’t Mule 
The Chance
Poughkeepsie, NY
March 20, 1999
Line-up
Warren Haynes: guitar, vocals
Allen Woody: bass. mandolin. vocals
Matt Abts: drums
Disc 1 – 1st Set:
John The Revelator >
Mule > I’ve Been Working > Mule >
Thorazine Shuffle,
Life Before Insanity,
Devil Likes It Slow,
Wandering Child,
Gambler’s Roll >
Pass The Peas,
Lay Your Burden Down,
Little Wing
(Running time 1:22:19)
Disc 2 – 2nd Set:
Pygmy Twylyte >
Blind Man In The Dark >
Mother Earth,
She Said, She Said >
Tomorrow Never Knows jam > Mountain Jam tease > Tomorrow Never Knows jam > Drums > Tomorrow Never Knows jam
Encore:
Third Stone From The Sun * >
Spoonful *
(Running time 1:06:34)
Setlist Notes:
* Derek Trucks on guitar and Bill McKay on keyboards
Audience recording (taper/details unknown)
Video:
Format NTSC, 720 x 480, 29.97 f/s, D1 – 4.792 Mb/s, D2 – 5.713 Mb/s
Aspect ratio: 4:3
MPEG-2 codec
Sys Bitrate 10080 kb/s
Audio:
LPCM 2ch stereo

 

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Feb 232012
 

Gov’t Mule
October 16, 2003
Landmark Theater
Syracuse, NY

Setlist:
01. Thelonius Beck
02. Wandering Spirit
03. I Ain’t Superstitious
04. World Gone Wild
05. Slow Happy Boys
06. Effigy >
07. Folsom Prison Blues (Instrumental/Jam) >
08. Effigy
09. Painted Silver Light
10. Lay Your Burden Down
11. Key To The Highway*
12. I Know Your Rider**
13. When Doves Cry > Beautifully Broken > When Doves Cry > Beautifully Broken
14. What Is Hip? >
15. Drum Solo
16. World Of Confusion
17. She’s Nineteen Years Old
18. Blind Man In The Dark
19. Masters Of War >
20. Soulshine

*With Chris Robison (vocals & harmonica) and Paul Stacey (electric guitar)
**With Chris Robison (vocals & acoustic guitar) and Paul Stacey (electric guitar)

DPA 4022 > Grade Design Lunatec V3 > s/pdif > Tascam DA-P1
Sony PCM-R500 > s/pdif (coax) > HHB CDR-850 > CD-R > EAC (secure) > Trader’s Little Helper > FLAC

Recording notes:
Recorded from the 10th row, slightly left of center. Microphones mounted on 7′ stand.
DAT swap between World Of Confusion and She’s Ninteen Years Old. (No music lost.)

Transfer and mastering notes:
The master DATs were used for the DAT > CD-R transfer.
The pair of CD-R’s used for the CD-R > FLAC transfer were burned directly from the master DATs.
Post-DAE, Cool Edit Pro was used to perform clip restoration on track 1 and track 8. (See EAC log, Part 1.)

Recorded, mastered & transfered by Paul deLima.

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